Syllabus
Upozorňujeme, že došlo k posunu referátov o týždeň. Súčasný plán je teda nasledovný: 21. 11. Tamar Gendler, „The Puzzle of Imaginative Resistance“ a Cain Samuel Todd, „Imaginability, morality, and fictional truth. Dissolving the puzzle of ‘imaginative resistance’“ 28. 11. Dorothea Debus, „Memory, Imagination, and Narrative“ a Felipe de Brigard, „Memory and Imagination" 5. 12. Ian Phillips, „Lack of imagination: individual differences in mental imagery and the significance of consciousness“ 12. 12. Elaine Scarry, „On Vivacity. The Difference between Daydreaming and Imagining-Under-Authorial-Instruction“ 19. 12. Kendall Walton, „Listening with Imagination: Is Music Representational?“ a James O. Young, „Music and Imagination“ 9. 1. 2020 Jonathan Jenkins Ichikawa, „Imagination, dreaming, and hallucination“ 1. (3. 10.) Úvod, Aristotelés, Plotínos 2. (10. 10.) Descartes, Kant 3. (17. 10.) P. F. Strawson, „Imagination and Perception“, in P. F. Strawson, Freedom and Resentment and Other Essays. London and New York: Routledge, 2008 (1974), pp. 50-72. - zadané 4. (24. 10.) Amy Kind, „The Heterogeneity of the Imagination“, Erkenntnis 78(1), 2013, pp. 141-159. - zadané 5. (31. 10.) Amy Kind „Putting the Image Back in Imagination“, Philosophy and Phenomenological Research 62(1), 2001, pp. 85-109.
Ned Block „The Photographic Fallacy in the Debate about Mental Imagery“, Noûs 17(4), 1983, pp. 651-661.
Michael Tye, kapitola 4 "Mental Images as Structural Descriptions" z knihy The Imagery Debate, Cambridge (MA) and London: MIT, 1991, s. 61-76. 6. (7. 11.) Jennifer Church, „Perceiving People as People: An Overlooked Role for the Imagination“, in Amy Kind and Peter Kung, eds., Knowledge Through Imagination, Oxford: OUP, 2016, pp. 160-182. - zadané
Shannon Spaulding, „Imagination Through Knowledge“, in Amy Kind and Peter Kung, eds., Knowledge Through Imagination, Oxford: OUP, 2016, pp. 207-226. - zadané 7. (14. 11.) Tamar Gendler, „The Puzzle of Imaginative Resistance“, The Journal of Philosophy 97(2), 2000, pp. 55-81. - zadané
Derek Matravers, „Fictional assent and the (so-called) 'puzzle of imaginative resistance'“, in Matthew Kieran and Dominic McIver Lopes, eds., Imagination, philosophy and the arts. London, UK: Routledge, 2003, pp. 91-106.
Cain Samuel Todd, „Imaginability, morality, and fictional truth. Dissolving the puzzle of ‘imaginative resistance’“, Philosophical Studies 143(2), 2009, pp. 187-211. - zadané 8. (21. 11.) Dorothea Debus, „Memory, Imagination, and Narrative“, in Fiona Macpherson and Fabian Dorsch, eds., Perceptual Imagination and Perceptual Memory, Oxford: OUP, 2018, s. 72-95. - zadané
Felipe de Brigard, „Memory and Imagination", in Sven Bernecker and Kourken Michaelian, eds., The Routledge Handbook of Philosophy of Memory, London and New York: Routledge, 2017, s. 127-140. - zadané 9. (28. 11.) Ian Phillips, „Lack of imagination: individual differences in mental imagery and the significance of consciousness“, in Mark Sprevak and Jesper Kallestrup, eds., New Waves In Philosophy of Mind, London: Palgrave Macmillan, 2014, pp. 278-300. - zadané 10. (5. 12.) Elaine Scarry, „On Vivacity. The Difference between Daydreaming and Imagining-Under-Authorial-Instruction“, Representations 52, 1995, pp. 1-26. - zadané 11. (12. 12.) Kendall Walton, „Listening with Imagination: Is Music Representational?“, The Journal of Aesthetics and Art Criticism 52(1), 1994, pp. 47-61. - zadané
James O. Young, „Music and Imagination“, in Amy Kind, ed., The Routledge Handbook of Philosophy of Imagination, London and New York: Routledge, 2016, pp. 192-203. - zadané 12. (19. 12.) Jonathan Jenkins Ichikawa, „Imagination, dreaming, and hallucination“, in Amy Kind, ed., The Routledge Handbook of Philosophy of Imagination, London and New York: Routledge, 2016, pp. 149-162. - zadané
Gregory Currie and Ian Ravenscroft, „Schizophrenia: The Monitoring of Thought and Action“, in Gregory Currie and Ian Ravenscroft, Recreative Minds, Oxford: Clarendon Press, 2002, pp. 161-184. - zadané 13. (9. 1. 2020)
Annotation
The crucial importance of imagination follows traditionally from its status “in between” sense-perception and thought. The seminar will start with taking stock of this traditional conceptions in its most important historical versions from Aristotle to Kant.
The bulk of the seminar will then consist in reading and discussion a representative sample of recent and contemporary theories of imagination, from P. F.
Strawson to Amy Kind, Jennifer Church, Tamar Gendler, Ian Phillips or Kendall Walton.