Syllabus
COURSE PROGRAM 1. Introduction to the course I
FILM: John Berger Ways of seeing (1972), part 1 2. Introduction to the course II own images & presentations 3. History of image and photography
Sontag, Susan (2005) ‘On Photography’. New York: Rosetta Books, p. 1-20.
Film: The Hand that touches the Arm (2022) 4 & 5. Visual semiotics & advertising
Rose, Gillian (2012) Semiology: laying bare the prejudices. Beneath the smooth surface of the visible, in: 'Visual Metodologies'. Thousand Oaks California: Sage Publications, p. 106-146.\
Film: Helmut Newton: the Bad and the Beautiful (2020) 6 & 7. Photo workshop: interactions in public place 8. War photography
Butler, Judith (2009) Torture and the Ethics of Photography: Thinking with Sontag, in: ‘Frames of War’. New York: Verso, p. 63-101.
FILM: The War Photographer (2001) 9. Methods I: photo-essay
Bourgois, Philippe & Jeff Schonberg (2009) Righteous dopefined. California University Press: chapter 7. 10. Methods II: photo-elicitation
Clark-Ibánez, Marisol (2004) Framing the Social World With Photo-Elicitation Interviews. American Behavioral Scientist, Vol. 47, No. 12, pp. 1507-1527. 11 & 12. Presentation of final projects
Annotation
The course is outlined as a block of theoretical lectures and practical exercises in the field of visual research methods.