1) Film before 1910 - avant-garde, experiment, etc.

2) The film project of modernity. Cinematography of novelty, photogenie, expression, absolute film, cinema pur.

3) Cinematography between media, intermediality of the 1920s, film on paper, performative film

4) Practical teaching

5) Surrealism

6) Infrastructural symphonies, the city and mechanisms

7) Practical lessons

8) Deconstruction of forms and new genres of the 1960s

9) Structural Film, Limits of the Medium

10) From expanded cinema to immersive environments

11) Practical training

12) The archival turn in the art of the 1990s and early 2000s