Classes
- Renaissance Aesthetics +3AES100033 | Faculty of Arts
- Seminar to the Renaissance AestheticsAES100035 | Faculty of Arts
- Musical Aesthetics +1AES100002 | Faculty of Arts
- Seminar to the Musical AestheticsAES100032 | Faculty of Arts
- Seminar to the Film TheoryAES100063 | Faculty of Arts
- Musical Aesthetics II +1AES100121 | Faculty of Arts
- History and Theory of Arts I: Aesthetics of Music +1AES300007 | Faculty of Arts
- Seminar to Aesthetics of Music [1]AES300013 | Faculty of Arts
- Seminars from History and Theory of Arts: Seminar of Aesthetics of MusicAES300030 | Faculty of Arts
- Aesthetics of Music +1AES500025 | Faculty of Arts
Publications
- Tones as a numbers and proportions in the Renaissance theory of music2004 | Faculty of Arts
- Dagmar Glüxam: "One must Play from the Soul...". About the Doctrine of Affections in Music of the 17th and 18th Centuries and its Effect on Interpretation2020 | Faculty of Arts
- Influence of aesthetic theories on teaching music-theoretical disciplines in the first half of the 19th century: on the example of textbooks by Antonín Rejcha2020 | Faculty of Arts
- The concept of imitative principle in music as one of the "Fine Arts" in French Classicist aesthetics2019 | Faculty of Arts
- Note from the Editor2019 | Faculty of Arts
- The search for new musical forms in the period of musical classicism2018 | Faculty of Arts
- Johannes Kepler2018 | Faculty of Arts
- The influence of the mechanistic philosophy on the formation of the foundations of musical harmony on a background of the aesthetic dispute2016 | Faculty of Arts
- Antonín Rejcha: Treatise on Counterpoint2016 | Faculty of Arts
- Antonín Rejcha: Treatise on Harmony2014 | Faculty of Arts
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