Publications
- Melancholic Subjectivity, Modes of Production, and the Utopian Rhetoric of Shakespeare's Richard II (c. 1595)2022 | Faculty of Arts
- Dialecticizing Subjectivity with Sartre and with AdornoPublication without faculty affiliation
- Dialecticizing Subjectivity with Sartre and with AdornoPublication without faculty affiliation
- On the Artwork as Transitional Event2023 | Faculty of Arts
- On Class, Context, and a Redemptive Commons with the Social Energies of Shakespeare's Richard II (c. 1596)2023 | Faculty of Arts
- Toward a New Frame; or, Trans(in)fusing the Capitalocene into Neganthropocene Cultural Capital2023 | Faculty of Arts
- New Heaven and New Earth2023 | Faculty of Arts
- New Jerusalem2023 | Faculty of Arts
- Nihilism2023 | Faculty of Arts
- Narrative Criticism, Narratology2022 | Faculty of Arts
Classes
- Forms of Culture: Thomas Pynchon's Gravity's Rainbow +1AAA300311 | Faculty of Arts
- Shakespeare, Orson Welles & Modernity +2AAA300329 | Faculty of Arts
- Modernity & Pynchon's Gravity's Rainbow +2AAA300331 | Faculty of Arts
- Cosmic Systems and Pynchon's 'Against the Day' +3AAA300335 | Faculty of Arts
- Film History and Theory +3AAA300408 | Faculty of Arts
- Circulating within Postmodern Cinematic Image +2AAA300415 | Faculty of Arts
- American Literature 1 +1AAA100201 | Faculty of Arts
- American and Canadian Literature: WWII to Present +3AAA130163 | Faculty of Arts
- American and Canadian Literature: Civil War to WWIIAAA130166 | Faculty of Arts
- Reading Henry JamesAAA133003 | Faculty of Arts
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