Notes to the origin of the style, datation and localisation of the Paris fragment of the Latin translation of Chonicle of so-called Dalimil (NKXII E 17)

Abstract

The paper follows the problem of style, iconography and cultural-historical circumstances of the creation of the Paris fragment. The analysis makes possible to localise the manuscript to Bologna, to the stylistically progressive surroundings of the Master from 1328.

A participation of each of the four painters is defined and cultural-historical circumstances of the creation of the manuscript from Italian perspective are pointed out.

Keywords

• Bertrando dal Poggetto
• Bologna
• Book illumination
• Chronicle of Dalimil
• Luxembourgs