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"Possibilities of the plastic forces of the Soul" : Max's Visual Hermeneutics of Man in the split century

Publication at Faculty of Arts |
2011

Abstract

The text is focused on - basing on the interpretation of important works of German- Czech painter Gabriel von Max - the transformation of the historical paintings of Max's work in interrelation of the occult and the exact sciences, historicism and modernism, the world of empirical reality and the world of autonomous aesthetic experience.