Abstract
In the article the new exhibition Pode Bal group is critically analysed. The exhibition took place in the Hunt Castner Artworks Gallery in the beginning of 200.
The topic was „recycling“ of individualized artistic languages of post-war authors (Klein, Beuys, Richter, Baselitze, Warhol, Kippenberger, Hume, Baechler, Hirst). That is why in the prologue there are varieties of authorship conception in art mentioned, as well as modernism demand for originality and present changes in the attitude to authorship, partly motivated by the situation in pop music.