Abstract
Theorising the “poetic turn” in cultural discourse from the 1950s to the present, The Organ Grinder’s Monkey examines the post-avant-garde condition mapped out in the work of an international roster of artists, writers, philosophers and film-makers, from Abstract Expressionism to the New Media, including Andy Warhol, Jean-Luc Godard, Cy Twombly, Jacques Derrida, Rosalind Krauss, Samuel Beckett, Harold Rosenberg and Clement Greenberg, Alain Badiou, Dusan Makavejev, Marjorie Perloff, Michael Dransfield, Charles Olson, Jean-Michel Basquiat, Veronique Vassiliou, Guy Debord, Joshua Cohen, Pierre Joris, Philippe Sollers, Karen Mac Cormack, Marshall McLuhan, Lukas Tomin, John Kinsella, and Vincent Farnsworth.