Publikace na Filozofická fakulta |
2013
Abstrakt
The interactions between memory and repetition, reiteration and the revenant constitute a rich and complex territory for the investigation of theatre’s spectrality. This paper proposes an exploration of the interplay of these elements focused through the lens of a very particular form—the theatre of monologue—as it is used by three major playwrights in Post-War British and Irish drama: Brian Friel, Harold Pinter and Samuel Beckett.