Abstract
The study focuses on the critical evaluation of the retrospective exhibition paid to the outstanding character in geometrical abstraction. The exhibition covers the period from 1965 to 2014, unfortunately not in the well balanced proportion.
The custodian Hana Larvová paid maximal attention to the later 15 years of the art creation that is why some essential development levels are covered only by a hint which is not always clearly emplaced from the installation point of view.