Abstract
The study is covering the large retrospective exhibition of Vladislav Mirvald in the Kampa Museum. Partly it uses the comparison with the retrospective event organized by the West Bohemian (Západočeská) Gallery in Plzeň under the custody of Tomáš Pospiszyl four years ago.
The custodian Jiří Machalický accented fully developed Mirvald's neo-constructive arts, anyway the didactic aspect is not missing being linked to the logics of origin of Mirvald's specific artistic attitude which on pop art morphology developer its own interpretation of generative arts.