Then Like Gigli, Now Like Bette: The Grotesque and the Sublime in Mark O'Rowe's Terminus

Abstrakt

The essay examines characteristic aspects of the grotesque in Terminus and argues that O'Rowe's drama presents a disturbing, parodic version of the sublime for the contemporary era.

Klíčová slova

• Grotesque
• Sublime
• Mark O'Rowe
• Terminus