Abstrakt
In this article I will discuss the issue of manipulation in the digital era of photojournalism and it's intellectual shift between analog and digital photography. In general, I will focus on the difference between the characteristics of modern analog (golden) era of photography and postmodern (postrealistic) era of digitization in order to show why nowadays photojournalism has to deal with the lack of it's own credibility and what the results of this condition are.