Abstract
The subject of this contribution is a monastic architecture that originated in 16th century New Spain from the need to evangelize the indigenous population of Mesoamerica. Its aim is to briefly introduce this unique architecture that originated from the collaboration of indigenous artists with European missionaries.
The contribution focuses on the role of monastic architecture in the process of shifting borders of Spanish domination. The monastery can also be seen as a frontier territory where took place "rites of passage" enabling the transition from one social status to another.
And finally asks the question of the possibilities of studying Latin American issues in Europe, as well as studying art at the border of three disciplines, namely history, art history and anthropology.