The contribution presents, as an example of the films The Long Life Republic and the Carriage to Vienna, the transformation of the interpretation of World War II in the mid-1960s in Czechoslovakia. It places both works in a wider context.
It argues with the process of autonomy of science and culture. At the same time, however, he views these interpretations of the past as a politician argument that gave legitimacy to the reform agenda of the 1960s.