Abstrakt
The paper focuses on contemporary Canadian Indigenous literature and analyzes the importance of storytelling and adaptation of traditional myths and mythical figures in it. It examines selected works by both established writers (Thomas King, Joseph Boyden) and by emerging writers (Richard Van Camp, Leanne Simpson).
The long, rich, complex, and vital oral culture of Indigenous peoples of Canada has created a sound base for Indigenous written art. A myriad of stories and teachings has been a significant source of inspiration and knowledge background for contemporary authors.
Writers re-tell old stories in new settings, adapting traditional stories (Sky Woman story) and traditional characters (trickster, windigo) to present day world. The paper examines the ways Indigenous and non-Indigenous cultures have been interacting and reshaping each other as reflected in contemporary literature.
Despite the painful process of colonization and assimilation into mainstream society, Indigenous writers show the immense strength and vitality of their cultures, finding a way to follow and honor traditional knowledge, appropriating the means of Western cultural tradition.