Publication at Faculty of Humanities |
2017
Abstract
I discuss here the issue of collaborative photography as a never finished content that is being created by produsers. In the world of digitization a photography is not just a stable result of photographer's intention and viewer's dynamic interpretation, but rather exists as a result of continuous process of produsage collaboration.
As a result, the shift from poststructuralistic viewer towards produser changes the obsolete boundaries between strictly seperated roles of author and viewer.