Choreography of the viewer or the participation and structure of the movement in contemporary art in contemporary art

Abstract

The text deals with the use of choreography in participative performances in contemporary art on the examples of the works of Christian Falsnaes and Tino Sehgal. At the same time, there is the question how are these works related to the issue of manipulation or whether they offer new possibilities for the relationship between the author and the viewer.

Keywords

• performance
• participative art
• contemporary art
• audience
• choreography