Abstract
The present paper concentrates on the question of ideality after the Schönbergian revolution. Apart from musical composers themselves, tha author also examines the question of musical ideality in the work of Marcel Proust and Thomas Mann.
The present paper concentrates on the question of ideality after the Schönbergian revolution. Apart from musical composers themselves, tha author also examines the question of musical ideality in the work of Marcel Proust and Thomas Mann.