Abstrakt
In this presentation I applied Kitaro Nishida's middle and late philosophy to a theory of the photographic praxis. More specifically, I described a certain "logic of seeing" having Nishida's "logic of place" as point of departure.
In this presentation I applied Kitaro Nishida's middle and late philosophy to a theory of the photographic praxis. More specifically, I described a certain "logic of seeing" having Nishida's "logic of place" as point of departure.
