Abstrakt
In this paper I attempt to rethink the relationship between art and life by formulating it based on the rereading of the Benjaminian mimetic faculty by the anthropologist Michael Taussig. Taking this position within history as non-teleological change and based on human activity, to uphold a distinction between original and representation metaphysically becomes impossible.
This is important in so far as any notion of primacy becomes obsolete, while at the same time one can work with the historical existence, both material and ideational, of initially abstract concepts such as art. Art then is something that in itself does not have a materially specific reality, but forms reality through artworks, institutions, pecuniary allocations or human motivation.
Taking art as a world-forming force that is nonetheless historically produced in turn opens up new, pluralist ways of using this historical given for possible futures.