In the fourth chapter 'On the Possibility of thematizing Music in The Origin of the Work of Art', Matouš Kvapil attempts to read The Origin of the Work of Art with a focus on music, searching for music's place in Heidegger's thoughts concerning art. Kvapil asks whether a thematization of music in this perspective is even possible, and what would then be the starting point offered for this thematization in The Origin of the Work of Art.