The article emphasizes the key topics of (primarily) oral history projects' realization in times of crisis, respectively the global coronavirus crisis, which serves as a model example in this regard. The author pays particular attention to the effects of the crisis during various project phases: from the change in narrators' interest and priorities, through their intensive contacts with researchers in the time after the interview, to the change in the interviewer-narrator relationship due to health risks.
The paper also touches on deepening the "psychotherapeutic" role of the interviewer in projects if they are implemented in times of crisis.