Abstrakt
The article presents an essay on the topic of the issue "Ay! Chile" of the literary magazine PLAV (5/21). It is written from a historical-literary point of view.
The article traces the thread that connects avant-garde poetry and its manifestos with the CADA art group and its member Raúl Zurita. Both are united by efforts to renovate poetic discourse, but the historic moment in which they create is different and requires different art forms.
As art moved from salons to the streets of Chile under Pinochet, poets combined the revolution of words with the revolution of ideas.