This article analyzes the 2021-22 migration crisis at the EU-Belarus border through the conceptual lens of visual biopolitics. Based on data available from the regimerun media in Belarus it demonstrates how the engineered crisis was a case of authoritarian dramaturgy relying on numerous visual representations of migrants.
The carefully staged authoritarian spectacle exploits both the vulnerability and grievability of refugee life, and the regime's role as a self-appointed sovereign exercising comprehensive biopolitical care and protection over the population of migrants stranded at the border between Belarus and Poland.