Abstract
The paper attempts to show, through a rereading of From Existence to the Existing, that exotism (which is the essence of art) originately situates the esthetic sensation outside of ontological categories, such as perception or knowledge.
The paper attempts to show, through a rereading of From Existence to the Existing, that exotism (which is the essence of art) originately situates the esthetic sensation outside of ontological categories, such as perception or knowledge.