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Symbols of Monstrosities. The Myths and Taboos of the Czech Avant-Garde in the 1940s-1960s.

Publication at Faculty of Arts |
2009

Abstract

Czech literary history still lacks a critical perspective on the postwar interpretation of the avant-garde or of avant-garde movements and their specific plight, artistic fragmentation and political readings. Postwar Western's debates over avant-garde movements passed by the Czechoslovak sphere.

And if the official postwar version of the avant-garde was institutionally reduced and integrated under the heading of socialist realism, it is clear that although certain constructivist and futurist avant-garde projects might be included here, surrealism may not.