- Nishida and the Experience of Photographing2017 | Faculty of Humanities
- Nishida's Pure Experience in his process of self-imagination illustrated in his calligraphies2018 | Faculty of Humanities
- Mediality of Photographing. Nishida's Transitions2018 | Faculty of Humanities
- Photography as Aesthetic Practice: Perspectives with Kitarō Nishida2019 | Faculty of Humanities
- Towards a Logic of Place of Photographing: Perspectives with Nishida Kitarō2021 | Faculty of Humanities
- Mu無is because mu無is not Nothingness (mu無) as a space of Nishida's Pure Experience in his process of self-imagination2018 | Faculty of Humanities
- The Self-Determination of the World/Environment. Towards an Ecological Philosophy of Kitarō Nishida2017 | Faculty of Humanities
- Self-formation- Calligraphy as basho of formless form in the philosophy of Nishida Kitarô2018 | Faculty of Humanities
- The In-Between as Movement of the Border2020 | Faculty of Humanities
- On the Absolute : Sketches for a Phenomenology of the Extreme2021 | Faculty of Humanities
- The Subject of Modernity : Liber amicorum for Klaus Erich Kaehler2021 | Faculty of Humanities
- What is the Self? Access to an Inaccessible2016 | Faculty of Humanities
- The Absolute Other and its Bodily Presence. A Search in Julio Cortázar's El Perseguidor2020 | Faculty of Humanities
- Fundamental Questions of Phenomenological Oikologie2011 | Faculty of Humanities
- Imanishi Kinji's Ethical View of Nature: Recognized World and Integrity2016 | Faculty of Arts
- Imanishi Kinji's Embodied Integrity and Recognition as a Living Strategy2017 | Faculty of Arts
- Imanishi Kinji on Time and History2017 | Faculty of Arts