- Behind the stage: some thoughts on the Codex Speciálník and the reception of polyphony in late 15th-century Prague2009 | Faculty of Arts
- The Speciálník Codex and Europe. A contribution to the study of Czech cultural life at the end of the 15th Century2004 | Faculty of Arts
- Patrem Yacten-Sanctus Elezanger. A Fragment of an Unknown Mass Ordinary from Codex Speciálník and its Milanese Context2006 | Faculty of Arts
- Polyphonic mass ordinary in the Speciálník CodexPublication without faculty affiliation
- Quod non fecerunt Gothi, fecerunt Scoti or Two episodes from Rudolfinian Prague2014 | Faculty of Arts
- Neighing horses, cackling hens, heavy-footed vessel and barrel traders... Everyday life of a late medieval town through the eyes and ears of musicians2011 | Faculty of Arts
- Lanoy, Lannoy, Launay, Lanoys, Lannoys? Thoughts on the Attribution of a Mass Fragment in the Codex Speciálník2009 | Faculty of Arts
- An inconspicuous relative of the Speciálník Codex. On Dating and Structure of the Manuscript CZ-Pu VI C 20a2020 | Faculty of Arts
- Motet Style and Structure in Central Europe around 1490: Some Remarks on Selected Pieces from the Codex Speciálník2012 | Faculty of Arts
- Codex Speciálník - a little Manuscript 'in folio' of Czech Provenience2002 | Faculty of Arts
- The Speciálník Codex. A small folio-manuscript of Czech origin2003 | Faculty of Arts
- Parts of mass ordinary called 'sociorum': Studies in polyphony in Bohemia at the end of the 15th Century2004 | Faculty of Arts
- Do the German chansons exist? On the repertory of German songs (c. 1450-1470) in the Bohemian sources2016 | Faculty of Arts
- Using the Past, Shaping the Present: Tracing the Tradition of Specific Polyphonic Repertories in Bohemian Utraquist Sources (c.1450-1540)2020 | Faculty of Arts