- Limiting the unlimited: curation in Czech film distribution in the digital era2020 | Faculty of Arts
- Hard power and film distribution: transformation of distribution practices in Poland in the era of digital revolution2019 | Faculty of Arts
- The digital single market strategy as a threat or an opportunity? A reconstruction of the czech distributors' attitudes toward the dsm strategy2018 | Faculty of Arts
- Industry Divide: The Interdependence of Traditional Cinematic Distribution and VOD in Poland2020 | Faculty of Arts
- Paratextual Analysis as a Complementary Method of Research of Historical Reception. Language and National Identity in Paratexts of Czech and Foreign Sound Films Screened in 1930 in Czechoslovakia2016 | Faculty of Social Sciences
- Finding a Suitable Home for Video: Video in Late 1980s CzechoslovakiaPublication without faculty affiliation
- Localize or Die: Intermediaries in a Small East-Central European On-Demand Market2017 | Faculty of Arts
- International Workshop: Challenges in Digital Era: How to Sell and Distribute Movies?Publication without faculty affiliation
- Czech Film Critics Awards 2015Publication without faculty affiliation
- Most of Europen production "does not travel". An Interview with Andrew Higson2017 | Faculty of Arts
- National, Socialist, Global: The Changing Roles of the Karlovy Vary Film Festival, 1946-19562015 | Faculty of Arts
- Channels and Barriers of Cross-Border Online Circulation: Central and Eastern Europe as a Digital Periphery2020 | Faculty of Arts
- Exporting Czech Kisses: A History of Distribution and Reception of Closely Watched Trains in Western Europe and the USA2014 | Faculty of Arts
- 'We are Sorry This Video Is Not Available in Your Country': An Ethical Analysis of Geo-blocking Audio-Visual Online Content2021 | Faculty of Arts
- Decentralization in the Czech Nationalized Cinema 1957-1962 : A Consequence of Cultural Liberalization or Effort to Work More Effectively?2023 | Faculty of Arts, Central Library of Charles University