Přednášky

(pozn. povinné texty jsou k dispozici ke stažení v SIS u daného kurzu.
// Jednotlivé projekce se mohou změnit.)

15.2. - Úvod do kurzu

1) Brát Hollywood vážně / mýty, legendy a realita

Povinné texty:

Richard Maltby, "Taking Hollywood Seriously", in Hollywood Cinema (Blackwell Publishing, 2003), s. 5-18.
Leo C. Rosten, "Legenda zvaná Hollywood", Iluminace 18, č. 1 (2006), s. 5-24.

Projekce: Sullivan's Travels (1941)

Domácí projekce: Sunset Boulevard (1950)

2) Genius systému a klasický hollywoodský styl

Povinné texty:

Thomas Schatz, "Introduction: ‘the Whole Equation of Pictures‘", in The Genius of the System Hollywood Filmmaking in the Studio Era (Metropolitan Books, New York, 1988), s. 3-12.

David Bordwell, "An Excessively obvisous Cinema", in David Bordwell-Janet Staiger and Kristin Thompson, The Classical Hollywood Cinema, Film Style and Mode of Production till 1960 (Routledge 1985), s. 3-11.

Richard Maltby, "Industry I: to 1948", in. Hollywood Cinema (Blackwell Publishing, 2003), s. 113-141.

Projekce: TBC

Domácí projekce: Grand hotel (1932)

3) Seberegulace a neškodná zábava

Povinné texty:

Ruth Vasey, "Sophisticated Responses and Displaced Persons" in The World According to Hollywood 1918-1939 (Uni of Wisconsin, 1997), s. 100-126.

Richard Maltby, "The Production Code and the Mythologies of "pre-Code" Hollywood, in Steve Neale (ed), The Classical Hollywood Reader (Routledge, 2012), s. 237-248.

Projekce: Křivdila mu (She Done Him Wrong, 1933)

Domácí projekce: The Public Enemy (1931), All this, and Heaven Too (1940)

4) Hvězdy a hvězdný systém

Povinné texty:

Richard Dyer, "Stars as Specific Images", in Stars (BFI, 1979), s. 60-85.

Tino Balio, "Selling Stars: The Economic Imperative", in Steve Neale (ed), The Classical Hollywood Reader (Routledge, 2012), s. 209-226.

Projekce: Gilda (1946)

Domácí projekce: All about Eve (1950)

5) Publika a žánry: případ "ženského filmu"

Povinné texty:

Richard Maltby, "Sticks, Hicks and Flaps: Classical Hollywood’s generic conception of its audiences", in Maltby - Melvyn Stokes (eds), Identifying Hollywood’s Audiences (British Film Institute, 1999), s. 23-38.

Martin Shingler, "Bette Davis Made over in Wartime: The Feminisation of an Androgynous Star in Now, Voyager (1942) , Film History, Vol. 20, No. 3 (2008), s. 269-280.

Projekce: Now, Voayger (A teď, cestovateli 1942)

Domácí projekce: So Proudly we Hail (1943), Jezábel (1938)

6) Hollywood a politika

Povinné texty:

Clyaton R. Koppes, "Regulating the Screen: the Office of War Information and the Production Code Administration", in Thomas Schatz, Boom and Bust, American Cinema in the 1940s. (Uni of California Press, 1997), s. 262-281.

Projekce: Casablanca (1942)

Domácí projekce: Velký diktátor (1939)